Long time, no see...

I am finally finished with the Battle of the Beadsmith piece, and the photos are submitted, so I am going to kick back and relax for today. I still have a load of beads and components which didn't fit the project so before relegating them back to the beadbox I thought I'd play a bit and treat myself to a bit of freeform.

The labradorite cabochon was just a bit too big for the competition piece but makes a lovely focal pendant. I'm adding more green to the bead soup to echo the bottom area on the stone, and I think it will be fringed as well! So far I'm thinking this will be a keeper, a souvenir of the travails I put myself through...

I'm going to take the BOTB piece itself to visit my local beadshop today to show them where some of the cabs I bought ended up, and then celebrate with a cup of coffee and a pastry. 

Look out for all the creations which will shortly be appearing on the BOTB'13 Facebook group, clicking the logo at the right should take you there. I'll post a picture of my piece here once it has gone live on the Battle page for those of you not on Facebook.

Thanks for all the messages of support  (and beads) which I've been receiving throughout the last 8 weeks, all were much appreciated, and helped me through my first foray into International competition waters!

Battle Skirmishing

I have been steadily working on my Battle piece since the first of April, but for the last couple of days have laid it aside. I made about 18 woven motifs and applied them in a 'pleasing arrangement', and am now up to 23 motifs, with extra ones worked directly in place. So far, so good. BUT one of the motifs is not quite right...it is OK, it looks pretty, but somehow it is too 'unlike' the rest of the work to fit.

I am not sure enough to unpick it straight away, but I need to think about it, and whether I can recycle the idea in a more coherent (to the overall design) manner. Could be I decide that it is just because I am seeing it  in isolation without the surrounding area and it would actually be fine as is...

The positive side (i.e. the 22 elements which I like) are definitely staying though. I have used a variety of stones ranging in size from 27mm diameter to 8mm, and several different shapes consistent with my original theme, and for something scientific, it is looking rather artistic.

Yes I did say scientific! I have another life in scientific research, and many times have seen images and structures crying out to be rendered in beads, so that is my inspiration in this piece. I can't be more specific, but I am sure the motifs I have made from this theme will be great additions to my beading repertoire, I hope to make a range of necklaces based on them later on.

Anyway, I'm very busy at work this week so I think the battle piece will be left until the weekend for the cut/don't cut decision, when I'm feeling more relaxed...

....And now it is the weekend, I've taken up the work again, and have managed, by removing the outer ring of beads, to make the problem part 'work' again! I also managed to add in a few of the little navettes I bought, along with the cupchain, from The Crystal Pool

Here is a tiny teaser for you, to show the navette (motif is about 2cm long):

Battling on...

So I expect your curiosity as to my BOTB'13 project knows no bounds? No? Well I admit I am curious as to where this challenge is taking me that's for sure. There are teaser shots going up from many of the contestants, and it seems fair to say that the standard is likely to be as high as last year's. Does it intimidate me? Maybe a little. It is easy to look at the small pile of pieces on the beadmat and think that my progress is painfully slow, but on the other hand I have tackled 3 shapes which are new to me and have begun the process of laying out the full design. I have 4 days left (including today) before I return to the full time job, so after that the the beading will be limited to weekends and evenings. I am beginning to dream the finished project though, so I think it has 'gelled' in my brain- all I have to do is execute the design (hollow laugh).

You would like a teaser shot? Really? OK then, this is the Battle stash as seen in the Battle Biscuit Tin! What's that? Who ate the biscuits? I have no idea what you mean!

I have also indulged in a mini shopping spree for cupchain which is new to me (apart from a one inch section which someone gave me from a Swarovski sample box). Haven't decided quite how I shall incorporate it into the Battle piece but the initial trial looks OK.

Well I can't say much more other than the piece has both woven and embroidered elements, and will be shimmery and sparkly enough to satisfy my inner magpie!

Bead Book and Bounce Blog Hop: Sabine Lippert's Beaded Fantasies

This is one of the series of Bead Book Bounce blogspots Visit the OTTBS blog to see other group members' reviews, links and work

At last a bead book to review that I have actually used quite a lot! Lark Books published 'Beaded Fantasies' last year to instant acclaim. One of the 'Masters' series it has 30 projects within its covers, and what projects they are! Among my favourites are the Granada brooch (and I know others love it too: I can't tell you how many different versions I have seen. it seems to work in just about any colours!) and the Scheherezade pendant. Whilst the projects are, in general, exceedingly sparkly, Sabine's fondness for using firepolished Czech beads means they are not quite as financially crippling as they look (except that it is difficult to resist making several different colourways for each project). Swarovski crystals are also much used, but in ways to maximise their impact. The unique bezeling technique developed by Sabine means that the majority of a rivoli or chaton is showing rather than hidden by peyote.

This book is a great jumping off point for explorations in beadwork, particularly using Right Angle Weave. The final chapter is called 'Sabination Nation' and describes the processes involved in Sabine's designing. I was encouraged by this to try some variations on the themes in the book and am particularly pleased with the spiky Scheherezades. Here is my latest version:

Overall, this is a book which will appeal to experienced beaders, as well as those with an intermediate understanding of basic techniques. Although some projects can be demanding and require careful tension they are clearly explained. There are a few errors in my edition so it is worth contacting the author if you find something is not working. My one reservation is that several steps are usually combined in one figure, so that if you are more guided by illustrations you may need to spend time working out the order of steps. Reading the written instructions as well is probably the way to go!

Prepared for Battle...

Well we are nearly there, the Battle of the Beadsmith begins tomorrow and the next 8 weeks will be Beading Madness! I am not sure what the beading equivalent of girding one's loins is but I have cleared my table, assembled a good selection of seedbeads, stones, accent beads, pearls and crystals to help me on my way. Many of the other contestants seem to have been limbering up with some big projects, but I am worried that I'll burn out if I try and do too much... Here is my workstation, and I can tell you now it will not look like this for long. If you hear a distant rumble it will be me, being buried under an avalanche of beads etc!

The OTTBS group have formed a cheerleading team to encourage those members who are participating ( 9 at the moment) so thanks to them in advance for their efforts in keeping us motivated! I'd also like to thank my anonymous donors who have been sending me treasures to add to the battle stash, it means a lot to have so much generous support!

All the best to everyone taking part, I hope we all enjoy the reveals as much as last years and look forward to some superlative pieces. I am hoping to pull a rabbit from the hat and use the materials I have to make something really special, but only time will tell!

The only thing left to do is get a good night's sleep (although I might be too excited) ready for the starter's pistol!

Excitements

A quick post to let you all know that I have been accepted as a participant in the second Battle of the Beadsmith. This is a Facebook based contest for 192 combatants from around the World. There is some stellar talent in that group and I am shaking in my shoes!!

I sent in photos of my 'Juno Moneta' as  my 'audition piece' and made the cut. As it is a knockout contest I fully expect to make it no further than the first round, but I am so pleased and excited to have been selected that I can hardly speak (and those of you who know me will realise what that means!)

Anyway, my project for the contest will remain a closely guarded secret until the reveal in the Summer, and work cannot even be started until the 1st of April, but I am beginning to deliberate over possible designs and doing a lot of browsing for beads and other materials. If the posts become less frequent over the next months you will, I hope, bear with me.

In the meantime please have a look at the Battle page (clicking the logo at the right should take you to the page). You should be able to see a gallery album of last year's pieces. Sadly there is no webpage for the Battle so you need to be on Facebook to see the lovelies.

A final excitement for this post: my friend Janine made a lovely montage of the bead-it-forward squares the OTTBS group made for Bead&Button magazine's appeal, and it was featured on their FB page

Singin' the Blues

Last year I challenged myself to use more pink in my work as I had got a little stuck in my (green) rut. I managed to find a palette of pinks with which I was happy, generally mixing in some brown or cream to prevent things getting too saccharine. This year (you guessed it) it is the turn of the blues. I actually have a reasonable stash of blue beads, but rarely use them, so it shouldn't mean buying more beads...except, well when you start looking there are some VERY pretty blue things out there!

I also decided to move into 3D with the bead embroidery, now I feel I have served my apprenticeship with flat pieces, and am moderately competent! I asked Renetha Williams Stanziano to make me a fish shaped form and she made this for me:

And look, he is BLUE! He isn't that big but when I started I realised that working on a form is quite different to working 2D.

I raided the local fabric store for buttons for eyes, and looked through my books and the internet for some inspiration. At around the same time I ordered some spike beads from Beads of Bohemia, and when they arrived I had the idea of making a longhorn cowfish, so the first beads were added...

The placement of the mouth went a bit wrong so I had to reposition, but soon I was off with the actual embroidery. I also made some beadwoven fins in (of course) herringbone stitch, using some of the new Rizo beads between the ribs. The pectoral fins worked well, but in the dorsal fin the Rizos flopped sideways so had to be reinforced, the fireline I used is exposed a little but I think it is better than hiding the Rizos under a lot of other beads. Here is the current status of my fish whom I have named 'Finnegan' after all the 'begin agin' I have had to do!

The main colour of beads will be blue but with the orange and lime accents he will be quite exotic! I still don't know if I will completely cover the surface in beads

And finally, the OTTBS blog colour challenge for February 2013 happened to be 'Blue and Brown' so I decided to use some more spikes, this time in milky turquoise, and made a modified version of Sabine Lippert's Scheherezade, which I'm calling 'Dunyazade' (the name of Scheherezade's little sister, to whom she told the 1001 nights' tales)

So the 'Blue' year is well under way!